- Job applicants will face keen
competition for jobs in major metropolitan
areas, where pay generally is higher;
prospects are expected to be better in small
cities and towns.
- Technical school, community college, or
college training in broadcast technology,
electronics, or computer networking provides
the best preparation.
- About 30 percent work in broadcasting,
mainly for radio and television stations,
and 17 percent work in the motion picture,
video, and sound recording industries.
- Evening, weekend, and holiday work is
common.
Broadcast and sound engineering technicians and
radio operators set up, operate, and maintain a
wide variety of electrical and electronic
equipment involved in almost any radio or
television broadcast, concert, play, musical
recording, television show, or movie. With such
a range of work, there are many specialized
occupations within the field.Audio and
video equipment technicians set up and
operate audio and video equipment, including
microphones, sound speakers, video screens,
projectors, video monitors, recording equipment,
connecting wires and cables, sound and mixing
boards, and related electronic equipment for
concerts, sports events, meetings and
conventions, presentations, and news
conferences. They also may set up and operate
associated spotlights and other custom lighting
systems.
Broadcast technicians set up, operate,
and maintain equipment that regulates the signal
strength, clarity, and range of sounds and
colors of radio or television broadcasts. These
technicians also operate control panels to
select the source of the material. Technicians
may switch from one camera or studio to another,
from film to live programming, or from network
to local programming.
Sound engineering technicians operate
machines and equipment to record, synchronize,
mix, or reproduce music, voices, or sound
effects in recording studios, sporting arenas,
theater productions, or movie and video
productions.
Radio operators mainly receive and
transmit communications using a variety of
tools. These workers also repair equipment,
using such devices as electronic testing
equipment, handtools, and power tools. One of
their major duties is to help to maintain
communication systems in good condition.
The transition to digital recording, editing,
and broadcasting has greatly changed the work of
broadcast and sound engineering technicians and
radio operators. Software on desktop computers
has replaced specialized electronic equipment in
many recording and editing functions. Most radio
and television stations have replaced videotapes
and audiotapes with computer hard drives and
other computer data storage systems. Computer
networks linked to specialized equipment
dominate modern broadcasting. This transition
has forced technicians to learn computer
networking and software skills. (See the
statement on
computer support specialists and systems
administrators elsewhere in the Handbook.)
Broadcast and sound engineering technicians
and radio operators perform a variety of duties
in small stations. In large stations and at the
networks, technicians are more specialized,
although job assignments may change from day to
day. The terms “operator,” “engineer,” and
“technician” often are used interchangeably to
describe these jobs. Workers in these positions
may monitor and log outgoing signals and
operate transmitters; set up, adjust, service,
and repair electronic broadcasting equipment;
and regulate fidelity, brightness, contrast,
volume, and sound quality of television
broadcasts.
Technicians also work in program production.
Recording engineers operate and maintain
video and sound recording equipment. They may
operate equipment designed to produce special
effects, such as the illusions of a bolt of
lightning or a police siren. Sound mixers
or re-recording mixers produce
soundtracks for movies or television programs.
After filming or recording is complete, these
workers may use a process called “dubbing” to
insert sounds. Field technicians set up
and operate portable transmission equipment
outside the studio. Because television news
coverage requires so much electronic equipment
and the technology is changing so rapidly, many
stations assign technicians exclusively to news.
Chief engineers, transmission
engineers, and broadcast field
supervisors oversee other technicians and
maintain broadcasting equipment.
Broadcast and sound engineering technicians
and radio operators generally work indoors in
pleasant surroundings. However, those who
broadcast news and other programs from locations
outside the studio may work outdoors in all
types of weather. Technicians doing maintenance
may climb poles or antenna towers, while those
setting up equipment do heavy lifting.
Technicians at large stations and the
networks usually work a 40-hour week under great
pressure to meet broadcast deadlines, and may
occasionally work overtime. Technicians at small
stations routinely work more than 40 hours a
week. Evening, weekend, and holiday work is
usual because most stations are on the air 18 to
24 hours a day, 7 days a week. Even though a
technician may not be on duty when the station
is broadcasting, some technicians may be on call
during nonwork hours; these workers must handle
any problems that occur when they are on call.
Technicians who work on motion pictures may
be on a tight schedule and may work long hours
to meet contractual deadlines.
The best way to prepare for a broadcast and
sound engineering technician job is to obtain
technical school, community college, or college
training in broadcast technology, electronics,
or computer networking. In the motion picture
industry, people are hired as apprentice
editorial assistants and work their way up to
more skilled jobs. Employers in the motion
picture industry usually hire experienced
freelance technicians on a picture-by-picture
basis. Reputation and determination are
important in getting jobs.
When starting out, broadcast and sound
engineering technicians learn skills on the job
from experienced technicians and supervisors.
These beginners often start their careers in
small stations and, once experienced, move on to
larger ones. Large stations usually hire only
technicians with experience. Experienced
technicians can become supervisory technicians
or chief engineers. A college degree in
engineering is needed in order to become chief
engineer at a large television station. Many
employers pay tuition and expenses for courses
or seminars to help technicians keep abreast of
developments in the field.
Audio and video equipment technicians
generally need a high school diploma. Many
recent entrants have a community college degree
or other forms of postsecondary degrees,
although they are not always required. These
technicians may substitute on-the-job training
for formal education requirements. Working in a
studio as an assistant is a great way of gaining
experience and knowledge.
Radio operators usually are not required to
complete any formal training. This is an
entry-level position that generally requires
on-the-job training.
Licensing is not required for broadcast
technicians. However, certification by the
Society of Broadcast Engineers is a mark of
competence and experience. The certificate is
issued to experienced technicians who pass an
examination.
Prospective technicians should take high
school courses in math, physics, and
electronics. Building electronic equipment from
hobby kits and operating a “ham,” or amateur,
radio are good experience, as is working in
college radio and television stations.
Broadcast and sound engineering technicians
and radio operators must have manual dexterity
and an aptitude for working with electrical,
electronic, and mechanical systems and
equipment.
Broadcast and sound engineering technicians
and radio operators held about 95,000 jobs in
2004. Their employment was distributed among the
following detailed occupations:
| Audio and video
equipment technicians |
46,000 |
| Broadcast
technicians |
34,000 |
| Sound engineering
technicians |
13,000 |
| Radio operators |
2,000 |
About 30 percent worked in broadcasting
(except Internet) and 17 percent worked in the
motion picture, video, and sound recording
industries. About 7 percent were self-employed.
Television stations employ, on average, many
more technicians than radio stations. Some
technicians are employed in other industries,
producing employee communications, sales, and
training programs. Technician jobs in television
and radio are located in virtually all cities;
jobs in radio also are found in many small
towns. The highest paying and most specialized
jobs are concentrated in New York City, Los
Angeles, Chicago, and Washington, DC—the
originating centers for most network or news
programs. Motion picture production jobs are
concentrated in Los Angeles and New York City.
People seeking entry-level jobs as
technicians in broadcasting are expected to face
keen competition in major metropolitan areas,
where pay generally is higher and the number of
qualified jobseekers typically exceeds the
number of openings. Prospects for entry-level
positions are expected to be better in small
cities and towns for beginners with appropriate
training.
Overall employment of broadcast and sound
engineering technicians and radio operators is
expected to
grow about as fast as average for all
occupations through the year 2014. Job growth in
radio and television broadcasting will be
limited by consolidation of ownership of radio
and television stations and by labor-saving
technical advances, such as computer-controlled
programming and remotely controlled
transmitters. The Federal Communications
Commission (FCC) is required to examine its
media ownership rules quadrennially. Thus, the
rules can change periodically. In 2005, FCC
regulations stated that a single owner could own
up to eight radio stations in a single large
market and that a single owner could not own
television stations that would reach more than
39 percent of households. Revisions to these
rules have been passed by the FCC, but have not
been implemented because of legal challenges.
When broader common ownership is allowed,
stations often are consolidated and operated
from a single location, reducing employment
because one or a few technicians can provide
support to multiple stations. Technicians who
know how to install transmitters will be in
demand as television stations install digital
transmitters. Although most television stations
are broadcasting in both analog and digital
formats and plan to switch entirely to digital,
radio stations are only beginning to broadcast
digital signals.
Employment of broadcast and sound engineering
technicians in the cable and pay television
portion of the broadcasting industry is expected
to grow as the range of products and services
expands, including cable Internet access and
video-on-demand. Employment of these workers in
the motion picture industry is expected to grow
rapidly. However, job prospects are expected to
remain competitive because of the large number
of people who are attracted by the glamour of
working in motion pictures.
Projected job growth varies among detailed
occupations in this field. Employment of audio
and video equipment technicians and sound
engineering technicians is expected to grow
faster than the average for all occupations. Not
only will these workers have to set up audio and
video equipment, but they will have to maintain
and repair it as well. Employment of broadcast
technicians is expected to grow about as fast as
the average for all occupations through 2014, as
advancements in technology enhance the
capabilities of technicians to produce higher
quality radio and television programming.
Employment of radio operators, on the other
hand, is projected to decline as more stations
control programming and operate transmitters
remotely.
In addition to employment growth, job
openings also will result from the need to
replace experienced technicians who leave this
field. Some of these workers leave for other
jobs that require knowledge of electronics, such
as computer repairer or industrial machinery
repairer.
Television stations usually pay higher
salaries than radio stations; commercial
broadcasting usually pays more than public
broadcasting; and stations in large markets pay
more than those in small markets.
Median annual earnings of audio and video
equipment technicians in May 2004 were $32,570.
The middle 50 percent earned between $24,180 and
$44,290. The lowest 10 percent earned less than
$19,110, and the highest 10 percent earned more
than $58,620. Median annual earnings in motion
picture and video industries, which employed the
largest number of audio and video equipment
technicians, were $33,670.
Median annual earnings of broadcast
technicians in May 2004 were $28,010. The middle
50 percent earned between $19,240 and $42,760.
The lowest 10 percent earned less than $14,960,
and the highest 10 percent earned more than
$62,850. Median annual earnings in radio and
television broadcasting, which employed the
largest number of broadcast technicians, were
$25,220.
Median annual earnings of sound engineering
technicians in May 2004 were $38,110. The middle
50 percent earned between $25,470 and $56,320.
The lowest 10 percent earned less than $19,180,
and the highest 10 percent earned more than
$80,450.
Median annual earnings of radio operators in
May 2004 were $32,720. The middle 50 percent
earned between $23,960 and $43,850. The lowest
10 percent earned less than $17,960, and the
highest 10 percent earned more than $57,420.
Broadcast and sound engineering
technicians and radio operators need the
electronics training necessary to operate
technical equipment, and they generally complete
specialized postsecondary programs. Occupations
with similar characteristics include
engineering technicians,
science technicians, and
electrical and electronics installers and
repairers. Broadcast and sound engineering
technicians also may operate computer networks,
as do
computer support specialists and systems
administrators. Broadcast technicians on
some live radio and television programs screen
incoming calls; these workers have
responsibilities similar to those of
communications equipment operators.
For career information and links to
employment resources, contact:
- National Association of Broadcasters,
1771 N St. NW., Washington, DC 20036.
Internet:
http://www.nab.org
For information on certification, contact:
- Society of Broadcast Engineers, 9247
North Meridian St., Suite 305, Indianapolis,
IN 46260. Internet:
http://www.sbe.org
For more information on audio and video
equipment technicians, contact:
27-4011.00, 27-4012.00, 27-4013.00, 27-4014 |